John Q (4th view) – Denzel Washington’s first film following his Oscar win for Training Day sees him as a father whose insurance policy won’t pay for his sons costly heart transplant. After being given bureaucratic runaround, he takes matter into his own hands and holds a waiting room of people hostage. The film is filled with walking stereotypes; Anne Heche as the cold-hearted hospital boss, James Woods as the sleazy doctor, Ray Liotta the police chief more concerned with his press image than the case at hand. Still, Washington is always good to watch and the presence of Robert Duvall is a bonus. For all its faults this is quite good stuff – 4/5
Eagle Eye (1st view) – Based on an idea by Steven Spielnerg (and produced by him) this thriller see Shia LaBeouf reteam with his Disturbia director, DJ Caruso. LeBeouf is an innocent man framed for being a terrorist, and is soon on the run, teaming up with single mother Michelle Monoghan, aided by a mysterious female caller, and being chased by seemingly every US government agency. It’s one big hi-tech chase film, and its gets more absurd by the minute, with the laws of logic and physics flung out of the window (ramming a metal pole into a computer while soaking wet will, apparently, not harm you in the sligh-*test*-('")). Billy Bob Thornton and Michael Chiklis (sorely underused) make an appearance, but this film it to be watched for silly action, not great performances – 3/5
Rio Bravo (1st view) – For the longest time, I was under the impression that I’d seen this film sometime in the past. Turns out I hadn’t and as such it was a pleasant surprise to watch a film that I thought was an enjoyable western and discover a masterpiece. Howard Hawks has long been a favourite director of mine and this is another feather in his cap. It’s also John Wayne’s second best film (after The Man Who Shot Liberty Valance, none of his John Ford westerns come close – The Searchers, that means you!!). The plot is simple. John Wayne is the sheriff of Rio Bravo, tasked with looking after a prisoner until a US Marshall comes by in 6 days time. His deputies are an alcoholic (Dean Martin) and an aged cripple (Walter Brennan). Soon after a woman arrives in town (Angie Dickinson) and she strikes up a relationship with Wayne. All the while, accomplices of the prisoner threaten our heroes. That’s pretty much it, and it runs for close to two and a half hours. But the cast all deliver pitch-perfect performances, and the relationships between them all are beautifully developed and played. Martin and Brennan are particularly wonderful, and it’s so refreshing to see a female lead in a western who seems to have a bit of spirit and individuality to her. Dmitri Tiomkin delivers a grand score, Hawks directs with flair and the whole thing is just excellent. The only downside is Ricky Nelson as a young sharpshotter, but even he gets a chance to shine in a great sing-along scene – 5/5
Reeker (1st view) – 5 students find themselves in an abandoned motel in the middle of the desert. It isn’t long before they are being picked off one by one, killed by a mysterious figure whose presence is announced by a sickening smell. It’s quite rare these days to find a horror film in which you care for any of the characters, but this is one such film, and there’s a few decent shocks as well – 4/5
The Living and The Dead (1st view) - Roger Lloyd-Pack (he’ll always be Trigger to me) is having a hard time. As Donald Brocklebank, a lord whose stately home has fallen into disrepair, his wealth almost diminished, he has a schizophrenic teenage son, James, and a terminally ill wife to look after. Leaving the house for a few days in order to try and restore some funds, he calls for a nurse to visit the house, but his son locks her out, wanting to look after his mother himself. Without taking his medication, however, even the smallest tasks become problematic and it isn’t long before things go wrong. It’s really a three person film between Lloyd Pack, Leo Bill as his son and Kate Fahy as his wife, and all deliver fine performances. It’s bleak and depressing though, with quite a few scenes that are highly uncomfortable to watch, and the frequent speeded-up action that accompanies James losing touch with reality are oddly unsettling – 4/5
Magic In The Water (1st view) – Workaholic DJ Mark Harmon takes his two children for a month away to a lakeside resort in British Columbia, a place home to a local legend, a Loch Ness-like creature known as Orky. The film is 17 times less interesting than the synopsis – 2/5
The Hunt For The Unicorn Killer (1st view) – A TV movie that tells the story of Ira Einhorn, an activist who was accused of murdering his former girlfriend and then went on the run for over two decades. A pre-stardom Naomi Watts stars as Holly Maddux, the unfortunate victim of Einhorn’s wrath and Kevin Anderson gives a charismatic performance as Einhorn. The story spans 3 decades, but the runtime of close to 3 hours make you wish it had been pruned, as an awful lot seems to be padding – 3/5
My Blueberry Nights – The English language debut of Chinese director Won Kar-Wai. It’s also the acting debut of singer Norah Jones (Apparently I should have heard of her. I haven’t) She strikes up a friendship with café own Jude Law before embarking on a soul searching journey across America, meeting a drunken cop (David Strathairn), his estranged wife (Rachel Weisz) and a young gambler (Natalie Portman) on the way. It rattles along at a nice pace, looks lovely, and Jones make for an engaging lead, faring well against her co-stars. However, it’s only 90 minutes long and barely a minute goes by without a slow-motion shot of someone gazing wistfully into the distance. There’s so many of them. Without these you’d be left with something about 10 minutes long (well, not quite, but you get the idea). Fewer such scenes and a bit more story would have helped, but this is quite a loveable film overall – 4/5
