
In my opinion, Pixar's best movie. The story is a genuinely touching one: an overprotective father (Marlin, a clownfish) strives to find his son Nemo after he is kidnapped by divers, but must also overcome his overbearing nature in order to let his son live his life to the full. On the way, he meets a variety of characters and dangers that also help him overcome his own fears.
The vocal cast includes Albert Brooks as the over-protective Marlin; Ellen DeGeneres as the daffy but loveable Dory; Willem Defoe (Gill); Geoffrey Rush (Nigel the pelican); Barry Humphries, Eric Bana and Bruce Spence as three sharks trying to overcome their addiction to eating fish, and Alexander Gould as the voice of Nemo.
The film is more perfectly realised than any animated film I've ever seen - the task of recreating the appearance of genuine ocean life must have been a daunting one for the Pixar team, but they manage to do it so well that a -*test*-('") reel showing a whale surfacing was totally indistinguishable from the real film that they were tasked to replicate.
Without a doubt, though, the character that steals the show is Dory, the regal tang suffering from short-term memory loss who is also trying to help Marlin. There are times when you get so totally wrapped up in her persona that you forget you're watching an animated fish!
A worthy winner of the 2003 Academy Award for Best Animated Film.
Daz rating: :D:D:D:D:D

A remake of a 1930 original (see, Hollywood were doing it all the way back then!!!), this sees Errol Flynn and David Niven playing RFC scout pilots tasked with trying to keep the newcomers alive while trying to keep themselves sane, only for Flynn's character to get the bum job of sending the kids up to their certain deaths when their CO (Basil Rathbone) gets promoted, straining his relationship with his best friend and squadron-mate.
Recycling most, if not all, its predecessor's aerial footage doesn't seem to take any edge off the story at all - it's still a fine, enjoyable film, with great performances all round, and a genuine sense of camaraderie and loss between Niven and Flynn. One scene always sticks in my head - the morning after a heavy bout of drinking, David Niven's character comes downstairs to the mess, exhibiting sure sign of a hangover! As one of the NCOs goes off to bring in the new recruits (the camera following him as he goes), Niven and Flynn can be heard offscreen:
"Court, have you ever seen mice on rollerskates?"
"On bicycles, never on skates, old man."
A brilliant little throwaway line, I think!
Daz rating: :):):):) and a half.

My tour of WW1 aviation comes to an end with Jack Gold's
Aces High, starring Malcolm McDowell, Christopher Plummer and Peter Firth.
Loosely based on R.C. Sherriff's play,
Journey's End, with additional material from
Sagittarius Rising, the film sees McDowell playing a disillusioned squadron leader whose la-*test*-('") recruit is a former school chum who idolises him, not realising that his friend isn't the hero he was made out to be at a school visit/recruitment drive.
It's my personal favourite of all my WW1 films, since I've managed to get up close and personal to several of the aircraft used in the film (Stampes playing S.E.5s, plus replicas of the Fokker E.III and Avro 504). That aside, the aerial action is beautifully shot and very realistic. Human performances are excellent and very believeable (the additional squadron characters are the sort of blokes you'd have at your stag do!).
Daz rating: :):):):):)