Bram Stoker’s Dracula (2nd) – Francis Ford Coppola’s take on the classic horror story is a masterpiece of design and atmosphere, but falters in most other areas. It looks a treat but is horrible miscast, with dodgy accents all over the place (Keanu Reeves! What was he thinking?) Out of all the names on display, only Gary Oldman fairs well but even he’s been better in countless of other film. Best thing about the fim is the stupendous score from Wojciech Kilar, one of the very best I’ve ever heard – 3/5
Chapter 27 (1st view) – This follows the three days in the life of Mark David Chapman prior to him killing John Lennon in 1980. While fictionalised, it does portray many of the actual events leading up to the murder. Still, at a short and snappy 80 minutes, it feels almost twice as long and while a bulked up Jared Leto impresses, we never really get any idea of why he felt it necessary to kill Lennon, and why on earth Lindsey Lohan is in here I have no idea. A wasted opportunity – 2/5
Saving Private Ryan (12th view) – I didn’t watch this film back in 2006 or 2007. Up until then, I’d seen it at least once every year but I decided to give it a break, for fear of it losing some of its power. I’m glad to say it hasn’t, it’s still as visceral, powerful and spellbinding as it was on the big screen 10 years ago. This is Spielberg at the peak of his craft. The scale of the film is staggering, how someone can helm something that must have been such logistical nightmare really amazes me. The battle scenes still have a tremendous impact,. In this past decade, many films have tried to replicate their intensity but none have succeeded. The de-saturated colour and hand held camerawork, the terrifying sights and sounds of warfare, all help to make the unimaginable seem real, and this is why I rate Spielberg so highly. In so many of his films, he makes you feel (well, me anyway) not like an audience member, but an actual participant in events, sharing the same thoughts and emotions as those on screen, and it’s perhaps never been done better than in this film. The fear, awe, shock, sadness and dread, I’m not watching people experience them, I’m experiencing them myself. The cast is perfect, most have never been better and Hanks is outstanding as the honourable Captain Miller. John Williams gives us one of his most subtle and melancholy scores, and fellow Spielberg regulars Michael Kahn and Janusz Kaminski have never bettered there work here. How this film lost the best Picture oscar to Shakespeare in love in unbelievable. WWII films are my favourite genre and this is right at the very top. Easily the film of the year so far. Make no mistake about it, this is a masterpiece - 5/5
