Saw IV (1st view) – Third sequel to the very good film that gave us the Jigsaw killer. Continuing the trend of the franchise, this film sees more gore, more outlandish methods of torture, greater implausibility and the tendency to forget what made Jigsaw’s methods reasonable understandable. Still, it’s better than part 3 and it does help to explain a number of plot holes that appeared in that film. It is quite unpleasant at times though. I don’t shy away from the more squeamish aspects of film, and I’ve had my fill of gore via shows like CSI, but even I cringed a few times during this – 3/5
Iron Man (1st view) - Rollicking comic book adventure, which balances perfectly its dry sense of humour with some adrenalin pumping action scenes. It’s a more light-hearted affair than the likes of Hulk or Batman begins, yet far more substantial than say, the Fantastic Four films. Robert Downey Jr. is excellent in the lead, and he’s able supported by Jeff Bridges, Gwyneth Paltrow and Terrence Howard. It gets a little overblown near the end but this is great entertainment – 4/5
The Brave One (1st view) – Neil Jordan directs this thriller starring Jodie Foster as a radio host who becomes a vigilante killer after her boyfriend is murdered. More thoughtful than other films of its kind (such as the Danny Dyer twosome of Straightheads and Outlaw) and Foster adds another fine performance to her resume. She’s matched, however, by Terrence Howard who is rapidly becoming a favourite of mine.
The Invasion (1st view) – Umpteenth version of the classic science fiction tale by Jack Finney. It lacks the sense of paranoia or fear that previous versions captured and the ending could be considered a cop out, but this is an easily watchable affair with much to enjoy, not least a fine performance from Nicole Kidman. Still, when you consider the director was Downfall’s Oliver Hirschbiegel, you can’t help but think this was a missed opportunity – 3/5
JFK (5th view) – Oliver Stone’s film looking into the assassination of JFK is undoubtedly his best film. In fact, it’s pretty much the best film of most of the people involved. Information overload is the order of the day here and it’s fascinating. Fictionalised and inaccurate an awful lot may be, but it’s still a great whodunit, and even if only 10% of what we hears is true, it’s enough to et you thinking. The use of stock footage interspersed with recreations, black and white photography, newsreels, slow motion, flashbacks within flashbacks, recreating the assassination in Dealey Plaza etc, all help to add to the sense of paranoia, misdirection and confusion. John Williams score is perfect, the gargantuan cast sublime. Just a great film – 5/5
