Blade: Trinity (2nd view) – Quite easily the worst of the bunch. The villains are naff, Ryan Reynolds as comic relief seems to have wandered on set from another film altogether and the action lacks bite. The TV show was better – 2/5
Annie (1st view) – How did the man behind The Treasure Of The Sierra Madre, The Maltese Falcon, The African Queen, Key Largo, Moby Dick and The Man Who Would Be King come to direct this? Quite easily the worst John Huston film I’ve seen (well, apart from Casino Royale). The musical numbers lack passion, the songs are unmemorable. As the titular sprog, Aileen Quinn manages Curly Sue/Anakin Skywalker/that lad from Speed Racer levels of annoyance, which is quite a feat. I wanted to cry whenever she, or her fellow child actors, started to sing. Is there a more annoying song than “It’s A Hard Knock Life”? If there is, I’ve never heard it. Still, solace can be found in Albert Finney’s delightfully hammy performance and the relationship between himself and Ann Reinking – 2/5
Princesses/Princesas (1st view) – Spanish film about two prostitutes who become firm friends after one of then is badly beaten. The two leads, Candela Peña and Micaela Nevárez, are superb and while the story is predictable at times, it’s never less than thoroughly engrossing. Wall worth a watch – 4/5
Gone Baby Gone (1st view) – Ben Affleck directs his brother Casey in this adaptation of the Dennis Lehane novel. Following on from his turn in The Assassination Of Jesse James, the younger Affleck shows himself to be an actor of considerably more talent than his brother who in turn proves himself to be well at home behind the camera. Michelle Monaghan and Morgan Freeman both acquit themselves well, but it’s Amy Ryan and Ed Harris who deliver the most memorable performances – 4/5
The Kite Runner (1st view) – Finding Neverland director Marc Forster’s take on Khaled Housseini’s acclaimed novel. It begins in 1978 Afghanistan, following the lives of two childhood friends and the horrible event that drives them apart. The latter half of the story takes place in 2000, when one the friends, now an adult, journeys back to his hometown. It’s a deeply moving tale of friendship, regret and honour. The child actors are exceptional, easily as good as their more experienced adult colleagues, and Forster proves again that he’s a director to watch 4/5
